Jaar: | 2018 |
Muziek/Tekst: | Finneas O'Connell |
Producer: | Finneas O'Connell |
Gecoverd door: | Pentatonix Lenni-Kim Susanna Hoffs James Blake Lokash Lewis Capaldi |
Persoonlijke hitparade: | Aan persoonlijke hitparade toevoegen |
Binnenkomst: | 27/10/2018 (Positie 79) |
Laatste week notering: | 22/02/2020 (Positie 84) |
Piekpositie: | 34 (1 week) |
Chartrun: | ![]() |
Aantal weken: | 34 |
Positie aller tijden: | 3007 (1092 Punten) |
In de landen: |
Tracks | |||||||||
19/10/2018 Digital Darkroom / Interscope 00602577125522 (UMG) / EAN 0602577125522 | |||||||||
Toon details | Alles beluisteren | ||||||||
1. | When The Party's Over | 3:19 | |||||||
Versie | Lengte | Titel | Label Nummer | Formaat Medium | Datum |
---|---|---|---|---|---|
3:19 | When The Party's Over | Darkroom / Interscope 00602577125522 | Single Digital | 19/10/2018 | |
3:13 | Megahits 2019 - Die Erste | Polystar 0600753859247 | Compilatie CD | 14/12/2018 | |
3:14 | MNM Big Hits 2019 Vol. 1 | Universal 538.675-4 | Compilatie CD | 15/02/2019 | |
3:15 | Triple J Hottest 100: Volume 26 | ABC 7732916 | Compilatie CD | 22/02/2019 | |
3:16 | When We All Fall Asleep, Where Do We Go? [Deluxe Box] | Darkroom / Interscope 00602577450365 | Album CD | 29/03/2019 | |
3:16 | When We All Fall Asleep, Where Do We Go? | Darkroom / Interscope 00602577427626 | Album CD | 29/03/2019 | |
3:10 | Now That's What I Call Music! 70 [US] | Universal B0030101-02 | Compilatie CD | 03/05/2019 | |
3:15 | Het beste uit de MNM 1000 [2019] | Universal 538.959-1 | Compilatie CD | 29/11/2019 | |
3:16 | When We All Fall Asleep, Where Do We Go? [Deluxe Edition] | Darkroom / Interscope 00602508556517 | Album CD | 13/12/2019 | |
»» alles tonen |
Singles - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
---|---|---|---|
Lovely (Billie Eilish & Khalid) | 02/06/2018 | 55 | 18 |
When The Party's Over | 27/10/2018 | 34 | 34 |
Come Out And Play | 01/12/2018 | 77 | 1 |
Bury A Friend | 09/02/2019 | 10 | 17 |
Wish You Were Gay | 16/03/2019 | 35 | 6 |
Bad Guy | 06/04/2019 | 5 | 65 |
All The Good Girls Go To Hell | 06/04/2019 | 42 | 3 |
Xanny | 06/04/2019 | 48 | 2 |
My Strange Addiction | 06/04/2019 | 51 | 2 |
You Should See Me In A Crown | 06/04/2019 | 59 | 1 |
I Love You | 06/04/2019 | 61 | 1 |
Ilomilo | 06/04/2019 | 63 | 1 |
Listen Before I Go | 06/04/2019 | 73 | 1 |
8 | 06/04/2019 | 83 | 1 |
Everything I Wanted | 23/11/2019 | 4 | 26 |
No Time To Die | 22/02/2020 | 3 | 8 |
My Future | 08/08/2020 | 30 | 3 |
Therefore I Am | 21/11/2020 | 11 | 13 |
Lo vas a olvidar (Billie Eilish / Rosalía) | 30/01/2021 | 50 | 1 |
Your Power | 08/05/2021 | 9 | 8 |
Lost Cause | 12/06/2021 | 48 | 1 |
NDA | 17/07/2021 | 55 | 1 |
Happier Than Ever | 07/08/2021 | 15 | 24 |
Getting Older | 07/08/2021 | 60 | 1 |
I Didn't Change My Number | 07/08/2021 | 64 | 1 |
TV | 30/07/2022 | 78 | 1 |
The 30th | 30/07/2022 | 100 | 1 |
What Was I Made For? | 22/07/2023 | 5 | 10 |
Albums - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
Don't Smile At Me | 07/07/2018 | 10 | 145 |
When We All Fall Asleep, Where Do We Go? | 06/04/2019 | 1 | 234 |
Happier Than Ever | 07/08/2021 | 1 | 111 |
Straffe bedoeling hoor. | |
▒ Zeer mooi plaatje uit half oktober 2018 door de 16 jarige Amerikaanse zangeres, gitariste en songschrijfster: "Billie Eilish Pirate Baird O'Connell" ☺!!! | |
Another terrible track from this very overrated (IMO) artist. | |
It's way too soft and very poor-man's-Lorde, but I don't mind it. | |
I don't think much of this either, it's just so ultimately boring. I don't understand why Billie Eilish is so popular. | |
I can't help but think that this type of songs are pretentious. If it was a bit more minimalist I guess everything would have been on mute. | |
Toffe single | |
Well I am getting used to it slowly. But its a 3 star because I never had a song that grow on me for such a long time. Laatst gewijzigd: 15/06/2019 01:28 | |
A genuine, utter bore! Billie does so little here, but the song-writing almost redeems it. | |
and she's not as bad as other people say just 3 | |
Laatst gewijzigd: 24/03/2020 09:25 | |
The minimalistic production accompanying Billie's voice suits the song perfectly and creates a real atmosphere to the track. The piano is used to great effect, particularly during the bridge and the "ahhh ahhh ahhh" vocal harmony in the first chorus is also lovely. It would be remiss of me not to mention the distorted "call me back" vocal in the second verse which is quite jarring, but a fun contrast to the rest of the song. It's really Billie's vocal which carries the song though, as it almost has to with so little behind it, and she does a very impressive job. | |
A beautiful simple piano driven song and Billie's vocals shine here. 5* | |
P = 40 |