Jaar: | 2017 |
Muziek/Tekst: | Bryan Simmons Symere Woods John Lucas [US] |
Producer: | TM88 JW Lucas |
Persoonlijke hitparade: | Aan persoonlijke hitparade toevoegen |
Binnenkomst: | 29/04/2017 (Positie 99) |
Laatste week notering: | 02/12/2017 (Positie 94) |
Piekpositie: | 60 (2 Weken) |
Chartrun: | |
Aantal weken: | 32 |
Positie aller tijden: | 5802 (759 Punten) |
Single Tip: | 15/04/2017 / Piek: 4 / Weken: 2 |
In de landen: |
Tracks | |||||||||
24/03/2017 Digital Atlantic 075679897350 (Warner) / EAN 0075679897350 | |||||||||
Toon details | Alles beluisteren | ||||||||
1. | XO Tour Llif3 | 3:02 | |||||||
Versie | Lengte | Titel | Label Nummer | Formaat Medium | Datum |
---|---|---|---|---|---|
3:02 | XO Tour Llif3 | Atlantic 075679897350 | Single Digital | 24/03/2017 | |
3:02 | Luv Is Rage 2 | Atlantic 7567865924 | Album CD | 17/11/2017 | |
3:04 | Now That's What I Call Music! 98 | Now CDNOW98 | Compilatie CD | 17/11/2017 | |
3:03 | Life Is Music 2017.2 | Sony 19075806102 | Compilatie CD | 24/11/2017 | |
3:02 | Triple J Hottest 100: Volume 25 | ABC 5381664 | Compilatie CD | 23/02/2018 | |
3:03 | De Afrekening 64 | Sony 19075845982 | Compilatie CD | 30/03/2018 | |
»» alles tonen |
Singles - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
---|---|---|---|
Bad And Boujee (Migos feat. Lil Uzi Vert) | 07/01/2017 | 41 | 11 |
XO Tour Llif3 | 29/04/2017 | 60 | 32 |
Baby Pluto | 14/03/2020 | 77 | 1 |
P2 | 14/03/2020 | 80 | 1 |
That Way | 14/03/2020 | 95 | 1 |
Albums - Dutch Charts | Titel | Binnenkomst | Piek | Weken |
Luv Is Rage 2 | 02/09/2017 | 13 | 14 |
Eternal Atake | 14/03/2020 | 2 | 17 |
Pluto x Baby Pluto (Future & Lil Uzi Vert) | 21/11/2020 | 26 | 2 |
Pink Tape | 08/07/2023 | 3 | 3 |
. . . . . . . .. . . . . .,.-. . . . . . . . . . . . . . . . . .-., . . . . .. . . . . . ..,/. . . . . . . . . . . . . . . . . . . . . . . :, . . . . . . . .. .,?. . . . . . . . . . . . . . . . . . . . . . . . . . .\, . . . . . . . . . /. . . . . . . . . . . . . . . . . . . . . . . . . . . . ,} . . . . . . . . ./. . . . . . . . . . . . . . . . . . . . . . . . . . ,:`^`.} . . . . . . . ./. . . . . . . . . . . . . . . . . . . . . . . . . ,:. . . ./ . . . . . . .?. . . __. . . . . . . . . . . . . . . . . . . . :`. . . ./ . . . . . . . /__.(. . .~-,_. . . . . . . . . . . . . . ,:`. . . .. ./ . . . . . . /(_. . ~,_. . . ..~,_. . . . . . . . . .,:`. . . . _/ . . . .. .{.._$;_. . .=,_. . . .-,_. . . ,.-~-,}, .~; /. .. .} . . .. . .((. . .*~_. . . .=-._. . .;,,./`. . / . . . ./. .. ../ . . . .. . .\`~,. . ..~.,. . . . . . . . . ..`. . .}. . . . . . ../ . . . . . .(. ..`=-,,. . . .`. . . . . . . . . . . ..(. . . ;_,,- . . . . . ../.`~,. . ..`-.. . . . . . . . . . . . . . ..\. . / . . . . . . \`~.*-,. . . . . . . . . . . . . . . . . ..|,./ . .. . . . . }.>-._\. . . . . . . . . . . . . . . . . .| . . . . . . .\_. . . `\,. . . . . . . . . . . . . . . . .\ . . . . . . . . . .`=~-,,.\,. . . . . . . . . . . . . . . .\ . . . . . . . . . . . . . . . . `:,, . . . . . . . . . . . . . ` Strontvervelend & saai . `=-,. . . . . . . . . .,%`>-- ☺!!! | |
Behang van het slechtste soort | |
Laatst gewijzigd: 09/05/2017 17:08 | |
There's often talk of pop music getting more dour, something that coincides with Drake's height of popularity and any artist closely associated with him. But it was always a mood, I can't remember songs that were so violent, confronting and legitimately depressing. And yet you can look at the top 10 right now, you've got Future contemplating the value in his facade whilst overloading on painkillers. You've got Kendrick aggressively confronting racial profiling with a song that holds no bars in lyrics & production. Kodak Black had something similar going on with "Tunnel Vision" which is one of the most baffling top 10 hits I've seen in some times just for how against the system it was. And then you've got this song, oh booooy. This song is really freakin' heavy. The fact it came from Lil Uzi Vert is perhaps the biggest surprise of all, but if nothing else it means I can't write him off anymore. The song tackles substance abuse, relationship abuse, and being driven to consider suicide. It's frankly very compelling. And yet this song with the hook of 'Push me to the edge, all my friends are dead' sits in the charts alongside Bruno Mars & Luis Fonsi wanting to treat a girl, and the utter goofball that is "iSpy". I'm just fascinated that such a curveball can be a hit, and I can't help but wonder what else could be waiting in the wings. For the time being though, I'm really into this. | |
Damn good job. Damn good bloody good damn good job. | |
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WTF is Llif3? I hate songs with stupid titles. | |
Sorry hoor, maar wat is dit?! Verschrikkelijke stem en het nummer is verder ook niet al te fantastisch. | |
Eentonig en niet spannend. Snel vergeten deze jongen. | |
Not as bad as the nonsense title suggests. | |
I've heard this song receive a ton of hate, but at the end of the day, Lil Uzi won a Grammy. This song is ace! |